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In Exelcis  (by: Amy Lowell (1874 - 1925))
You -- you --
Your shadow is sunlight on a plate of silver;
Your footsteps, the seeding-place of lilies;
Your hands moving, a chime of bells across a windless air.
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Interlude  (by: Amy Lowell (1874 - 1925))
If the sun is beautiful on bricks and pewter,
How much more beautiful is the moon,
Slanting down the gauffered branches of a plum-tree;
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Irony  (by: Amy Lowell (1874 - 1925))
The moon-pursuing sea, to come again.
Their hearts are blown away on the hot breeze.
Only the shells and stones can wait to be
Washed bright.
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Japanese Wood-Carving, A  (by: Amy Lowell (1874 - 1925))
High up above the open, welcoming door
It hangs, a piece of wood with colours dim.
Once, long ago, it was a waving tree
And knew the sun and shadow through the leaves
Of forest trees, in a thick eastern wood.
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Lady, A  (by: Amy Lowell (1874 - 1925))
You are beautiful and faded
Like an old opera tune
Played upon a harpsichord;
Or like the sun-flooded silks
Of an eighteenth-century boudoir.
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Poems by Amy Lowell Books

Little Garden, The  (by: Amy Lowell (1874 - 1925))
A little garden on a bleak hillside
Where deep the heavy, dazzling mountain snow
Lies far into the spring.
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Little Song, A  (by: Amy Lowell (1874 - 1925))
When you, my Dear, are away, away,
How wearily goes the creeping day.
A year drags after morning, and night
Starts another year of candle light.
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Madonna Of The Evening Flowers  (by: Amy Lowell (1874 - 1925))
All day long I have been working,
Now I am tired
I call: "Where are you?"
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Mirage  (by: Amy Lowell (1874 - 1925))
A thousand misconceptions may prevent
Our souls from coming near enough to blend;
Let me but think we have the same intent,
That each one needs to call the other, "friend!"
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Obligation  (by: Amy Lowell (1874 - 1925))
Hold your apron wide
That I may pour my gifts into it,
So that scarcely shall your two arms hinder them
From falling to the ground.
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